Use this url to cite publication: https://hdl.handle.net/20.500.12259/90382
A multimodal approach to opera surtitling
Type of publication
Straipsnis recenzuojamoje užsienio tarptautinės konferencijos medžiagoje / Article in peer-reviewed foreign international conference proceedings (P1d)
Author(s)
| Author | Affiliation | |
|---|---|---|
LT |
Title
A multimodal approach to opera surtitling
Is part of
Audiovisual translation: dubbing and subtitling in the central European context : [international conference] / Constantine the Philosopher University in Nitra. Faculty of Arts. Nitra, 2016
Date Issued
| Date |
|---|
2016 |
Publisher
Nitra, 2016
Extent
p. 97-108
Abstract (en)
As a form of art, opera has been recognized as being multimodal in nature and described as a rich collection of semiotic facts produced via the performance. Opera considers all semiotic systems (verbal, non-verbal, visual, auditive) and emphasizes the fact that within different sociocultural domains the same meanings can be expressed using various semiotic modes. In order to share the sociocultural context of an opera, surtities are employed to overcome language barriers and as a device for approaching other symbolic modes especially in the case of contemporary opera where they can be used to provoke the audience into reacting more intensely to the performance on the stage.
Type of document
type::text::journal::journal article::research article
Language
Anglų / English (en)
Coverage Spatial
Lietuva / Lithuania (LT)
Date Reporting
2017
ISBN (of the container)
9788055810881
Other Identifier(s)
VDU02-000051996