Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/90382
Type of publication: Straipsnis recenzuojamoje užsienio tarptautinės konferencijos medžiagoje (P1d);Article in peer-reviewed foreign international conference proceedings (P1d)
Field of Science: Filologija (H004);Philology (H004)
Author(s): Abraitienė, Lina
Title: A multimodal approach to opera surtitling
Is part of: Audiovisual translation: dubbing and subtitling in the central European context : [international conference] / Constantine the Philosopher University in Nitra. Faculty of Arts. Nitra, 2016
Extent: p. 97-108
Date: 2016
Keywords: Opera;surtitling;multimodality;semiotics
ISBN: 9788055810881
Abstract: As a form of art, opera has been recognized as being multimodal in nature and described as a rich collection of semiotic facts produced via the performance. Opera considers all semiotic systems (verbal, non-verbal, visual, auditive) and emphasizes the fact that within different sociocultural domains the same meanings can be expressed using various semiotic modes. In order to share the sociocultural context of an opera, surtities are employed to overcome language barriers and as a device for approaching other symbolic modes especially in the case of contemporary opera where they can be used to provoke the audience into reacting more intensely to the performance on the stage
Internet: https://hdl.handle.net/20.500.12259/90382
Affiliation(s): Vytauto Didžiojo universitetas
Žemės ūkio akademija
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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