3. Mokslo žurnalai / Research Journals
Permanent URI for this communityhttps://hdl.handle.net/20.500.12259/261291
Browse
Search Results
Reflections of theatrical activities in Lithuanian local periodical press under German occupation 1941–1944Item type:Publication, [Teatrinės veiklos atspindžiai Lietuvos vietinėje periodinėje spaudoje vokiečių okupacijos metu, 1941–1944 m]research article[2021][S1b][H003][14]Art History & Criticism / Meno istorija ir kritika, 2021, no. 17, p. 71-84The article explores the reflection of Lithuanian theatrical activities in the local press during the World War II. As the number of articles shows, theatre was an important part of the dailies’ content. The articles reveal that theatre activities were very important for the expansion of the Nazi culture. One can distinguish three general themes that the articles cover: promotion of Western theatre, especially German, promotion of Lithuanian repertoire and presentation of entertainment theatre. The latter can still be divided into entertainment for German soldiers and administration, and entertainment for Lithuanian audiences. The content of the articles reveals that journalists writing about theatre avoided Nazi propaganda clichés, such as hatred for Bolsheviks and Jews, but these clichés were nevertheless used by the representatives of theatre administrators.
29 83 Front theatre and variety theatre in Lithuania during World War IIItem type:Publication, [Fronto ir varjetė teatras Lietuvoje Antrojo pasaulinio karo metu]research article[2020][S1b][H003][10]Art History & Criticism / Meno istorija ir kritika, 2020, no. 16, p. 95-104This article reveals how theatre on small stages functioned in Lithuania during World War II and what was its impact on different audiences. It discusses two topics: 1) specificities of the front theatre intended for German soldiers and their administration; 2) specificities of variety theatre intended to all kinds of audiences. Front theatres in the Third Reich were a well-structured and well-financed organisation that served not only German soldiers and army officials but was an attractive job place for artists. Shows were given in all the occupied territories and thus the morale of the German army was supposed to be maintained. Variety theatres, that is small stage performances, were dedicated to lower class audiences; these shows demanded no intellectual effort and were meant to entertain. Journalists, writing about this type of theatre, avoided to criticise it, because it nevertheless fulfilled its duty to stimulate citizens’ optimism and to make them more loyal to the Nazi government.
33 91