Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/31711
Type of publication: research article
Type of publication (PDB): Straipsnis kitose duomenų bazėse / Article in other databases (S4)
Field of Science: Menotyra / History and theory of arts (H003)
Author(s): Staniškytė, Jurgita
Title: Tarp naujojo realizmo ir mito : dabarties versijos šiuolaikiniame Lietuvos teatre
Other Title: Between new realism and myth: visions of contemporary society on Lithuanian theatre stage
Is part of: Meno istorija ir kritika = Art history & criticism. Kaunas : Vytauto Didžiojo universiteto leidykla, 2012, [T.] 8 : Erdvės ir laiko reprezentacijos mene. Pasaulėvaizdžiai, diskursai, artefaktai
Extent: p. 102-109
Date: 2012
Keywords: Lietuvos teatras;Naujoji drama;Posovietinė kultūra;Realizmas;Lithuanian theatre;New drama;Post-soviet culture;Realism
Abstract: The article analyses different ways of interpreting and presenting social realities on contemporary Lithuanian thea-tre stage. While analysing Lithuanian performances of the last two decades one might state that the increasing number of works deal with the problems of contemporary social reality, new identities and sociocultural phenom-enons. However there is a substancial difference between performances produced during the first decade of the Independence and the ones produced during the second one. During the first decade Lithuanian theatre direc-tors tried to contemplate about emerging realities and social problems with the help of contemporary drama texts, whereas during the second decade the new modes of reflection of relevant societal topics began to take shape: per-sonal stories, unmediated presence of actors, deconstruction of canonic texts or images. With the help of two case studies – performance of Mark Ravenhill’s shoping and Fucking(1999, OKT) and oedipus the king(2002, OKT) by Sophocles, both directed by Oskaras Koršunovas the analysis of different possibilities of reflecting contemporary re-alities onstage is performed. At the same time article raised more general questions about the notions and strategies of social / political theatre in post-soviet Lithuania
Internet: https://www.vdu.lt/cris/bitstream/20.500.12259/31711/1/ISSN1822-4547_2012_N_8.PG_102-109.pdf
https://hdl.handle.net/20.500.12259/31711
Affiliation(s): Teatrologijos katedra
Vytauto Didžiojo universitetas
Appears in Collections:Art History & Criticism / Meno istorija ir kritika 2012, nr. 8
Universiteto mokslo publikacijos / University Research Publications

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