Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/489
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dc.contributor.authorLukšionytė, Nijolė-
dc.coverage.spatialLT-
dc.date.accessioned2016-02-22T12:58:23Z-
dc.date.available2016-02-22T12:58:23Z-
dc.date.issued2014-
dc.identifier.issn18224555-
dc.identifier.otherVDU02-000016168-
dc.identifier.urihttps://www.vdu.lt/cris/bitstream/20.500.12259/489/1/ISSN2335-8769_2014_N_10_2.PG_74-88.pdf-
dc.identifier.urihttps://hdl.handle.net/20.500.12259/489-
dc.descriptionE-ISSN 2335-8769 klaidingas, E-ISSN 1822-4547 teisingas-
dc.description.abstractThe beginning of the creative activity of the architect Vaclovas Michnevičius (1866-1947), originating from the Middle Lithuanian, coincided with in the abolition of prohibition introduced by the Russian Empire to build Catholic churches (1897). With the beginning of construction of new temples, the architects were invited from Liepaja (K. E. Strandmann), Riga (F. Wyganowski), and Warsaw (J. P. Dziekonski). Shortly after the local ones joined them, Vaclovas Michnevičius was one of the most productive ones. This article is intended to analyse a neo-Gothic and neo-Romanesque church architecture forms designed by Michnevičius. In European countries following Gothic (Gothic revival trend) began in England in the first half of the 19 th century. The theoreticians of romanticism were convinced that Gothic perfectly embodied the Christian ideal. In the region of Central and Eastern Europe German brick Gothic was followed (Backsteingotik). At the end of the 19 th century in Poland so-called the Vistula Gothic style (styl Nadwiślański) based on the local Gothic motifs emerged. This trend was represented by works of Józef Pius Dziekoński and Jan Sas-Zubrzycki that influenced Michnevičius’ creation. In 1893 V. Michnevičius graduated from St. Petersburg Institute of Civil Engineers. Having returned to Vilnius, he worked as the city architect and designed the market hall, theatre, hospital, residential houses. After the First World War, he moved to Kaunas that served as a temporary capital of Lithuania. From 1897 to 1936, he designed 30 Catholic churches, 20 of which were built. There were 18 churches created in neo-Gothic and neo-Romanesque forms where 8 of them with two towers, 10 with one tower. Churches with two towers had three naves, usually 5 bays long, a presbytery that is pentahedral surrounded by sacristy extensions (Žeimiai, Ratnyčia, Vidžiai, Saltoniškės in Vilnius, Belogruda). [...]en
dc.description.sponsorshipMenotyros katedra-
dc.description.sponsorshipVytauto Didžiojo universitetas-
dc.format.extentp. 74-88-
dc.language.isolt-
dc.relation.ispartofMeno istorija ir kritika = Art history & criticism. Kaunas : Vytauto Didžiojo universitetas, 2014, [T.] 10(2) : Kultūros paveldas : medžiagiškumo ir simbolinių prasmių sąveika-
dc.relation.isreferencedbyMLA International Bibliography-
dc.rightsSutarties data 2006-10-02, nr. LLTI-00001, laisvai prieinamas internetelt_LT
dc.subjectMichnevičius, Vaclovaslt
dc.subjectSakralinė architektūralt
dc.subjectIstorizmaslt
dc.subjectBažnyčioslt
dc.subjectNeogotikalt
dc.subjectNeoromanikalt
dc.subjectMichnevičius, Vaclovasen
dc.subjectChurch architectureen
dc.subjectChurchesen
dc.subjectNeo-Gothicen
dc.subjectNeo-Romanesqueen
dc.subject.classificationStraipsnis kitose duomenų bazėse / Article in other databases (S4)-
dc.subject.otherMenotyra / History and theory of arts (H003)-
dc.titleViduramžių architektūros interpretacijos Vaclovo Michnevičiaus bažnyčių projektuoselt
dc.title.alternativeInterpretations of Medieval architecture in Vaclovas Michnevičius’ church designsen
dc.typeresearch article-
dcterms.bibliographicCitation0-
dc.date.updated2019-09-10T10:58Z-
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local.typeS-
item.fulltextWith Fulltext-
item.grantfulltextopen-
crisitem.author.deptMenotyros katedra-
Appears in Collections:Art History & Criticism / Meno istorija ir kritika 2014, nr. 10(2)
Universiteto mokslo publikacijos / University Research Publications
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