Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/34180
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dc.contributor.authorTruskauskaitė, Vitalija-
dc.coverage.spatialLT-
dc.date.accessioned2017-03-28T06:19:49Z-
dc.date.available2017-03-28T06:19:49Z-
dc.date.issued2004-
dc.identifier.issn13927450-
dc.identifier.otherVDU02-000001489-
dc.identifier.urihttps://www.vdu.lt/cris/bitstream/20.500.12259/34180/1/ISSN2335-8785_2004_N_13_41.PG_241-252.pdf-
dc.identifier.urihttps://hdl.handle.net/20.500.12259/34180-
dc.description.abstractStraipsnyje nagrinėjami 1990-2002 metais sukurti Lietuvos dramos teatrų spektakliai. Tyrimo objektas - sakraliniai motyvai profesionaliojo teatro pastatymuose. Spektakliai aptariami atsižvelgiant į sakralinio teatro istorijos ir teorijos kontekstą, lyginant šiuolaikinę asmens laikyseną metafizinio pasaulio atžvilgiu su jėzuitų baroko teatre susiformavusia Theatrum mundi samprata. Lietuvos dramos teatrų spektakliuose išskiriami tylos ir erdvės meditacijos motyvai, aptariama sakraliosios ir profaniškosios erdvės opozicija, išskiriamas pagrindinis aptariamuosiuose spektakliuose išryškėjęs tamsiosios nakties motyvas, apibūdinantis religinio tapatumo paieškas. Darbo metodas - lyginamasislt
dc.description.abstractThe present article analyzes Lithuanian drama productions of years 1990-2002. It focuses on sacral aspects in professional theatre performances. The productions are viewed within the historical and theoretical context of sacral theatre, and comparisons are drawn between the modern man's attitude towards the realm of metaphysics and the concept of Theatrum Mundi, formed by the Jesuit baroque theatre. The motifs of silence and space meditation are singled out in performances of Lithuanian drama theatres, the opposition of sacral space versus its profane counterpart is discussed, and the image of dark night, apparent in the productions in question, is emphasized as the leading aspect characteristic of the search for religious identity. The article is based on comparative methoden
dc.description.sponsorshipTeatrologijos katedra-
dc.description.sponsorshipVytauto Didžiojo universitetas-
dc.format.extentp. 241-252-
dc.language.isolt-
dc.relation.ispartofSoter : religijos mokslo žurnalas. Kaunas : Vytauto Didžiojo universiteto leidykla, 2004, nr. 13(41)-
dc.relation.isreferencedbyCEEOL-
dc.rightsSutarties data 2006-10-02, nr. LLTI-00001, laisvai prieinamas internetelt_LT
dc.subjectLietuvos dramos teatraslt
dc.subjectSakralinis teatraslt
dc.subjectSakraliniai motyvailt
dc.subjectTheatrum mundilt
dc.subjectMeditacijalt
dc.subjectTamsioji naktislt
dc.subjectReliginis tapatumaslt
dc.subjectSacral theatreen
dc.subjectMotifs of the sacralen
dc.subjectHomo religiosoen
dc.subject.classificationStraipsnis kitose duomenų bazėse / Article in other databases (S4)-
dc.subject.otherMenotyra / History and theory of arts (H003)-
dc.titleSakraliniai motyvai Lietuvos dramos teatro spektakliuoselt
dc.title.alternativeMotifs of the sacral in Lithuanian theatre of drama performancesen
dc.typeresearch article-
dc.date.updated2019-10-23T11:36Z-
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local.typeS-
item.grantfulltextopen-
item.fulltextWith Fulltext-
crisitem.author.deptTeatrologijos katedra-
Appears in Collections:SOTER: religijos mokslo žurnalas / SOTER: Journal of Religious Science 2004, nr. 13(41)
Universiteto mokslo publikacijos / University Research Publications
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