Spektaklis ir jo dialoginės implikacijos H. G. Gadamerio hermeneutinėje perspektyvoje

Abstract

This article deals with the dialogical implications of performance, which are related with the hermeneutical conception of an art work and with relation between an art work and a preceptor. The hermeneutical approach supposes the definition of the theatre as a dialogue art in the sense that it enables to speak about a performance as an implication applied to the other person and not per se as stated by the theories of structuralism and poststructuralism. The hermeneutical approach involves the ontological perspective of a performance and enables to treat it as revealing a certain truth, which is not ultimate but implemented in the process of interpretation and a game. When interpreting a dramatic text, truth is revealed through existential experience affinity thus supposing understanding and self-reflection. Reading a dramatic text in another way new meanings could be obtained and then actualised through new expression means