Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/59619
Type of publication: Straipsnis kituose recenzuojamuose leidiniuose (S5);Article in other peer-reviewed editions (S5)
Field of Science: Menotyra (H003);Artwork (H003)
Author(s): Klusaitė, Lina
Title: Spektaklis ir jo dialoginės implikacijos H. G. Gadamerio hermeneutinėje perspektyvoje
Is part of: Teatrologiniai eskizai. Kaunas : Vytauto Didžiojo universiteto leidykla, 2006, [D.] 3
Extent: p. 77-98
Date: 2006
Keywords: Gadameris, H.G;Filosofas;Meno filosofija;Dialoginės implikacijos;Gadameris, H.G;Philosopher;Art philosophy;Dialogical implications
Abstract: This article deals with the dialogical implications of performance, which are related with the hermeneutical conception of an art work and with relation between an art work and a preceptor. The hermeneutical approach supposes the definition of the theatre as a dialogue art in the sense that it enables to speak about a performance as an implication applied to the other person and not per se as stated by the theories of structuralism and poststructuralism. The hermeneutical approach involves the ontological perspective of a performance and enables to treat it as revealing a certain truth, which is not ultimate but implemented in the process of interpretation and a game. When interpreting a dramatic text, truth is revealed through existential experience affinity thus supposing understanding and self-reflection. Reading a dramatic text in another way new meanings could be obtained and then actualised through new expression means
Internet: https://hdl.handle.net/20.500.12259/59619
https://hdl.handle.net/20.500.12259/59619
Affiliation(s): Vytauto Didžiojo universitetas
Appears in Collections:Teatrologiniai eskizai 2006, nr. 3
Universiteto mokslo publikacijos / University Research Publications

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