Spektaklis ir jo dialoginės implikacijos H. G. Gadamerio hermeneutinėje perspektyvoje
Author | Affiliation | |
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LT |
Date | Issue | Start Page | End Page |
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2006 | 3 | 77 | 98 |
This article deals with the dialogical implications of performance, which are related with the hermeneutical conception of an art work and with relation between an art work and a preceptor. The hermeneutical approach supposes the definition of the theatre as a dialogue art in the sense that it enables to speak about a performance as an implication applied to the other person and not per se as stated by the theories of structuralism and poststructuralism. The hermeneutical approach involves the ontological perspective of a performance and enables to treat it as revealing a certain truth, which is not ultimate but implemented in the process of interpretation and a game. When interpreting a dramatic text, truth is revealed through existential experience affinity thus supposing understanding and self-reflection. Reading a dramatic text in another way new meanings could be obtained and then actualised through new expression means.