Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/56896
Type of publication: research article
Type of publication (PDB): Straipsnis Clarivate Analytics Web of Science / Article in Clarivate Analytics Web of Science (S1)
Field of Science: Menotyra / History and theory of arts (H003)
Author(s): Narauskaitė, Gintarė
Title: „Transgender“ tapatybių diskursas: lyties performatyvumo aspektai kino filme „Priscilos, dykumos karalienės, nuotykiai“ [2 d.]
Other Title: Discourse of transgender identities : aspects of gender performativity in the movie "The Adventures of Priscilla, Queen of the Desert"
Is part of: LOGOS. Vilnius : Visuomeninė organizacija "LOGOS", 2016, [T.] 86, 87
Extent: p. 182-187, 167-176
Date: 2016
Keywords: Lyties performatyvumas;Camp estetika;Translytiškumas;Filmas „Priscila, dykumos karalienė“;Transmoteris;Gender performativity;Camp aesthetics;Transgender;Drag queens;Transwoman;Movie „Priscilla, Queen of the Desert“
Abstract: Kino filme „Priscilos, dykumos karalienės, nuotykiai“ pristatomi drag queens performansai. Šių subjektų kasdienis gyvenimas egzistuoja natūralizuotuose kontekstuose, tad translyčių subjektų įveiksminama moteriškumo apropriacija, moteriškumo / vyriškumo koegzistencija viename kūne, lytiškumo normų inversija, kuriama parodija ir campy veikimo būdai tampa subversyvia paradigma. Straipsnyje taip pat parodoma, kad drag queens (Felicija, Mitzi, transmoteris Bernadetė) hipertrofuoto moteriškumo performansais denatūralizuoja lytiškumo suvokimą, o transseksuali moteris Bernadetė, ne sceniniu lyties performatyvumu įkūnydama tradicines, su moteriškumu siejamas normas, palaiko natūralizaciją. Tačiau Bernadetė, pritaikydama šiuos stereotipus biologiniam vyrui, kartu akcentuoja ir lyties kaitumą, nestabilumą, konstruojamumą, kada lytiš- kumas sukuriamas, įveiksminamas per performatyvias praktikas nepaisant prigimtinės, anatominės duotybės
The film ‘The Adventures of Priscilla, Queen of the Desert’ presents performances of drag queens, their lives are presented in a natural context, which is why appropriation of femininity implemented by transgender subjects, coexistence of masculinity and femininity in the same body and inversion of norms of sexuality create a parody and campy methods of action turn into a subversive paradigm. Moreover, this article notes that if drag queens (Felicia, Mitzi, trans woman (a male-to-female transgender person) Bernadette) denaturalise the perception of femininity by performances of hyperbolised femininity, a transsexual woman Bernadette maintains naturalisation by materializing norms of femininity (affection, decency, serenity, condescension, mindfulness for outer beauty and elegant feminine representation) by her non-stage performativity of gender. However, by applying these stereotypes to a person who was assigned male at birth, Bernadette highlights changeability, instability and constructivism of gender, meaning that sexuality is created and implemented through performative practice despite of assignation at birth or anatomical nature
Internet: http://litlogos.eu/L86/Logos_86_182_187_Narauskaite.pdf
http://www.litlogos.eu/L87/Logos_87_167_176_Narauskaite.pdf
Affiliation(s): Menų fakultetas
Vytauto Didžiojo universitetas
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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