Teatras apie teatrą : savianalizės principai moderniame ir postmoderniame teatre
| Author | Affiliation | |
|---|---|---|
LT |
| Date |
|---|
2004 |
Straipsnyje aptariamos savirefleksyvumo sklaidos šiuolaikiniame teatre formos ir teorinës prielaidos, siekiama nužymëti, kuo skiriasi moderniame teatre egzistavęs teatro teatre principas ir postmoderniame teatre įsigalinti savianalizę, kai spektaklių objektu tampa patys vaizdavimo ir suvokimo mechanizmai. Savirefleksyvumo kategorija postmoderniame teatre egzistuoja kaip elementas, leidžiantis išlaikyti ne tik paties teatro kritinį požiūrį į save, bet ir gyvą sąveiką tarp spektaklio, žiūrovo ir kultūrinės terpės.
The report discusses the forms and theoretical assumptions associated with the scatter of self-reflection in contemporary Lithuanian theatre. The aim is to define the differences between the “theater in the theater” principle found in modern theatre and the self-analysis that has established itself in postmodern theatre, when the visual and cognitive mechanisms themselves become the object of the play. The category of self-reflection in postmodern theatre takes on the role of an element that allows theatre to maintain not only a critical theatric view of itself, but also a live interaction between the play, the audience, and the cultural medium. This strategy is found at all levels of theatric structure – in direction, stage design, music, acting, as well as in the text of the drama. The report analyzes the causes that promote the selfreflexive tone of Lithuanian theatre. Different levels of self-reflection and examples from specific plays are discussed. Attention is also paid to the investigation of the critical potential, the content of the ideological self-reflective attitude.