Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/52094
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dc.contributor.authorŠurkutė, Indrė-
dc.coverage.spatialLT-
dc.date.accessioned2018-10-06T23:21:48Z-
dc.date.available2018-10-06T23:21:48Z-
dc.date.issued2010-
dc.identifier.issn08687692-
dc.identifier.otherVDU02-000009847-
dc.identifier.urihttp://litlogos.eu/L65/Logos_65_211_222_Surkute.pdf-
dc.description.abstractStraipsnyje nagrinėjama šv. A ntano Paduviečio ikonografijos raida nuo XIII a. ir jos pobūdis Lietuvos baroko dailėje. Šventojo vaizdavimo tradicijas Vakarų Europoje lėmė ne tik jo biografijos faktai, bet ypač legendų gausa bei gerai pažintas šio talentingo pamokslininko dvasingumas. Lietuvoje šv. A ntano ikonografija įgavo savitų bruožų savo forma, tačiau turinio giliaprasmiškumu darniai jungiasi su Vakarų tendencijomis. Vyraujančio vieno ikonografinio tipo (Kūdikio Jėzaus regėjimas) populiarumą lėmė pamaldumo plitimo šalyje laikotarpis ir vieningai suvoktas šio šventojo pranciškono veiklos pobūdis – aktyvi veikla skelbiant Kristų ir artimas asmeninis ryšys su Juolt
dc.description.abstractThe article traces the development of the iconography of St. Anthony of Padua from the thirteenth century and its characteristic features in the Lithuanian Baroque art. The traditions of the representation of the saint in the Western Europe were determined not only by his biographical facts but also by the abundance of the miraculous legends and the awareness of the spirituality of the talented preacher. In Lithuania, the iconography of St. Anthony acquires peculiar features in its form. Yet, the profound meaningful content of the Lithuanian representation of the saint is in broad agreement with Western traditions. The prevalence of one particular iconographic type (The Vision of Infant Jesus) was determined by the spread of the devotional practices related to the Franciscan friar in the country and to the unanimous awareness of his charisma, i.e. an active life of proclaiming Christ and a close personal relation with Himen
dc.description.sponsorshipMenų fakultetas-
dc.description.sponsorshipVytauto Didžiojo universitetas-
dc.format.extentp. 211-222-
dc.language.isolt-
dc.relation.ispartofLOGOS. Vilnius : Visuomeninė organizacija "LOGOS", 2010, T. 65-
dc.relation.isreferencedbyArts & Humanities Citation Index (Web of Science)-
dc.relation.isreferencedbyPhilosopher's Index-
dc.relation.isreferencedbyCEEOL-
dc.relation.isreferencedbyAcademic Search Complete (EBSCO)-
dc.relation.isreferencedbyScopus-
dc.subjectIkonografijalt
dc.subjectŠv. Antanas Paduvietislt
dc.subjectBarokaslt
dc.subjectLietuvos dailėlt
dc.subjectIconographyen
dc.subjectSt. Anthony of Paduaen
dc.subjectBaroqueen
dc.subjectLithuanian arten
dc.subject.classificationStraipsnis Clarivate Analytics Web of Science / Article in Clarivate Analytics Web of Science (S1)-
dc.subject.otherMenotyra / History and theory of arts (H003)-
dc.titleŠv. Antano Paduviečio ikonografija Lietuvos baroko dailėje. [I d.] : [pradžia nr. 65, pabaiga nr. 66, 67]lt
dc.title.alternativeThe iconography of St. Anthony of Padua in the Lithuanian baroque art. (1)en
dc.typeresearch article-
dc.identifier.isiWOS:000288039000021-
dcterms.bibliographicCitation0-
dc.date.updated2020-02-24T15:36Z-
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local.typeS-
item.fulltextNo Fulltext-
item.grantfulltextnone-
crisitem.author.deptMenų fakultetas-
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications
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