Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/50019
Type of publication: research article
Type of publication (PDB): Straipsnis mokslo, meno, kultūros, profesiniuose leidiniuose / Article in science, art, culture, professional publications (S7)
Field of Science: Menotyra / History and theory of arts (H003)
Author(s): Žukienė, Rasutė
Title: Litewska tonacja w twórczości Mikalojusa Konstantinasa Čiurlionisa
Other Title: Shades of Lithuania in the work of Mikalojus Konstantinas Čiurlionis
Is part of: Čiurlionis : litewska opowieść. Kraków: Międzynarodowe centrum kultury, 2015
Extent: p. 8-35
Date: 2015
Keywords: Čiurlionis M. K;Tapyba;Composer;Čiurlionis M. K;Painting;Music
ISBN: 9788363463373
Abstract: Mikalojus Konstantinas Čiurlionis (1875–1911), the most brilliant of all Lithuania’s artists, went down in the history of European culture as a composer who sought out new paths in music, and as a painter who synthesized painting and music. The depth of his artistic world, the plasticity and mysteriousness of his images, and the originality and subtlety of the artistic forms of both his paintings and his music are such that his oeuvre continues to enchant audiences into the twenty-first century. His greatest contribution to world culture was his painting, which infused the art of painting with music; he actually named the works themselves with musical terms – sonatas, preludes and fugues. His aesthetically subtle and philosophically rich pieces – whether paintings, music, photography or even literary texts – dazzle and intrigue people of culture the world over. In Lithuania the name of this painter also symbolises the quintessence of being Lithuanian. But in the colours of Čiurlionis’s paintings and in the chords of his music there is both subtlety and lyricism, power and energy, openness and a foreboding mystery. All this comes together not in a direct, didactic image, but in the philosophical text of the work. Čiurlionis’s pictures leave considerable space for the viewer’s own thoughts, because the thoughts of the artist himself are free, transparent and visionary
Internet: https://hdl.handle.net/20.500.12259/50019
Affiliation(s): Menotyros katedra
Vytauto Didžiojo universitetas
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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