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Type of publication: research article
Type of publication (PDB): Straipsnis Clarivate Analytics Web of Science / Article in Clarivate Analytics Web of Science (S1)
Field of Science: Menotyra / History and theory of arts (H003)
Author(s): Vasiliauskienė, Aušra
Title: Rožinio Švč. Mergelės Marijos ikonografija Lietuvos Didžiosios Kunigaikštystės baroko dailėje [II d.] : [pradžia nr. 49, tęsinys nr. 51, pabaiga nr. 52]
Other Title: The Rosary in the iconography of the baroque art of the Grand Duchy of Lithuania
Is part of: LOGOS. Vilnius : Visuomeninė organizacija "LOGOS", 2007, T. 51
Extent: p. 143-152
Date: 2007
Keywords: Švč. Mergelės Marijos rožinis;Ikonografija;Andrzejowiczius W;Barokas;Dominikonai;Rosary;Iconography;Andrzejowicz W;Baroque;Dominicans
Abstract: In the article, the iconography of the rosary in the Baroque art of the Grand Duchy of Lithuania is analyzed. This subject as a whole has not been covered in the art criticism of Lithuania. In Europe, as well as in the grand duchy, the artistic theme of the rosary became popular thanks to the activity of the Dominican Order. The iconographic types are divided into the following groups: The Mother of God of the Rosary in Compositions with Many Figures, The Blessed Virgin Mary of the Rosary with the Child, the Mother of God and Symbolic Representation of the Rosary. For the Baroque art of the grand duchy, the most characteristic are the canonical West European compositional patterns of the first group, such as The Visions of St Dominic and The Presentation of the Rosary to St Dominic and St Catherine of Siena. Nevertheless, the traditional layouts shine with internal diversity. In Lithuania, there are some notably original interpretations of the rosary, especially in groups of symbolic representations
Affiliation(s): Vytauto Didžiojo universitetas
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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