Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/47580
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dc.contributor.authorKovtun, Asija-
dc.coverage.spatialLT-
dc.date.accessioned2018-10-06T21:46:05Z-
dc.date.available2018-10-06T21:46:05Z-
dc.date.issued2007-
dc.identifier.isbn9789955122470-
dc.identifier.otherVDU02-000004072-
dc.identifier.urihttps://hdl.handle.net/20.500.12259/47580-
dc.description.abstractThe space of text always unites cultural, social, linguistic and mental features of its creator. “There is nothing beyond text” – this idea of Jacques Derrida is the fundamental one for the novel text reflection. Author and reader’s intellectual communi cation has become an essential point in contemporary text stra tegy. The meaning here does not carry a single sense but offers a research strategy of “multiple ways of meaning creation”. The text aims at two goals: a dialogue between the rea der and the author, and the author’s conver sation with himself, leading, thus, to the text personification. The personification range can be exceptionally wide – from the aut hor’s ultimate feeling through the text to the aut hor’s total breakaway. Essayism is a special quality of contemporary culture. The union of philosophy, literature and science can be argued to be present here. Czesław Miłosz and Vladimir Nabokov were the most prominent essayists of the last century. Their aesthetics is based on the interaction of a personality with a self identifying word, where self-identification should be treated as movement towards the discovery of sense. The method and quality of the essayism of Czesław Miłosz and Vladimir Nabokov can be related to the ideas of deconstruction, the issues of sign, language and text., where even the marginal points reflect the union of the author and his text. Deconstructive reading of the text “The Roadside Dog” by Czesław Miłosz presumes the liberation of multiple meanings and their shades. The genre of essay for Czesław Miłosz is a possibility for considering the multiple meaning of the world as well as the multiplicity of its forms for the search for truth. Czesław Miłosz elaborates on the essay language as a conceptualization means: he sees the understanding of language as one of the core intellectual concepts of contemporary culture. [...]en
dc.description.sponsorshipVytauto Didžiojo universitetas-
dc.format.extentp. 182-195-
dc.language.isolt-
dc.relation.ispartofCzeslawas Miloszas iš XXI amžiaus perspektyvos: mokslinių straipsnių rinkinys, skirtas Nobelio premijos laureato Czesławo Miłoszo 95-čio jubiliejui, [Česlovo Milošo skaitymai]. Kaunas : Vytauto didžiojo universitetas, 2007-
dc.relation.isreferencedbyCEEOL-
dc.subjectMilošas, Česlavaslt
dc.subjectEsėlt
dc.subjectTekstaslt
dc.subjectNabokovas, Vladimiraslt
dc.subjectEsėlt
dc.subjectMilosz, Czeslawen
dc.subjectText strategyen
dc.subjectEssayen
dc.subjectNabokov, Vladimiren
dc.subjectEssayen
dc.subject.classificationStraipsnis kitose duomenų bazėse / Article in other databases (S4)-
dc.subject.otherFilologija / Philology (H004)-
dc.titleTeksto strategija Czeslawo Miloszo ir Vladimiro Nabokovo eseistikojelt
dc.title.alternativeCzeslaw Milosz and Vladimir Nabokov: watching texten
dc.typeresearch article-
dc.date.updated2012-01-31T16:36Z-
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local.typeS-
item.fulltextWith Fulltext-
item.grantfulltextopen-
crisitem.author.deptLituanistikos katedra-
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications
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