Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/45048
Type of publication: research article
Type of publication (PDB): Straipsnis Clarivate Analytics Web of Science / Article in Clarivate Analytics Web of Science (S1)
Field of Science: Menotyra / History and theory of arts (H003)
Author(s): Staniškytė, Jurgita
Title: Performing history, staging identity : strategies of contemporary theater in the Baltic states
Is part of: Journal of Baltic studies. Portland : Routledge, part of the Taylor & Francis Group, Vol. 40, no. 4 (2009)
Extent: p. 537-544
Date: 2009
Keywords: Post-Soviet art;Baltic States;Postmodern theater;Baltic theater;Performing history
Abstract: The emergence of new modes of representation in contemporary Baltic theater can be conceptualized as self-reflexivity and counter-canonical representations. These tendencies are closely linked together. They deal with the transformation of notions about language, body and perception in contemporary culture and critical theory as well as local models of theatrical representations. This analysis is based on the works of three stage directors who represent the young generation of Baltic theater: Oskaras Korsunovas (Lithuania), Alvis Hermanis (Latvia) and Tiit Ojasoo (Estonia). Their performances are symptomatic of the post-Soviet period, in which transitional identities are constructed and the new scripts of social past and future are performed. The article examines the strategies that are employed by these stage directors in dealing with history and identity
Internet: https://www.tandfonline.com/doi/full/10.1080/01629770903320163?scroll=top&needAccess=true
https://doi.org/10.1080/01629770903320163
Affiliation(s): Menotyros katedra
Vytauto Didžiojo universitetas
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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