Vytautas Magnus University Research Management System (VDU CRIS)
 
Use this url to cite publication: https://hdl.handle.net/20.500.12259/38071

Moters įvaizdžio slinktys postmoderniame Lietuvos teatre

Type of publication
Straipsnis nerecenzuojamoje Lietuvos konferencijos medžiagoje / Article in non-peer-reviewed Lithuanian conference proceedings (P2c)
Author(s)
AuthorAffiliation
Pukelytė, Ina 
Vilniaus universitetas
Title
Moters įvaizdžio slinktys postmoderniame Lietuvos teatre
[lt]
Other Title
Woman's image in postmodern Lithuanian theatre
[en]
Is part of
Moteris postmodernioje visuomenėje : konferencijos pranešimų medžiaga / Kauno technologijos universitetas. Kaunas : Technologija, 2006
Date Issued
Date
2006
Publisher
Kaunas : Technologija, 2006
Extent
p. 134-141
URI
URI
https://hdl.handle.net/20.500.12259/38071
Area of Science
Field of Science
Keywords (lt)
Abstract (lt)

The aim of this essay is to show how woman's image change in the real Lithuanian society and theatre. The subject of this research consists of the analysis of the following three performances: "Helda Gabler" by Henrik Ibsen (staged in 1998), "Portia Coughlan" by Irish dramatist Marina Carr (2002) and "4.48 Psychosis" written by British dramatist Sarah Kane (2004). The analysis consists not only of a demonstration how female characters are influenced by the context of the play and by the confrontation with the postmodern realty. It is also a demonstration of how modern actresses create these characters, how the language is influenced by actual aesthetics. "Portia Coughlan" and "4.48 Psychosis" deal not with social reality but with transcendental experiences. Women are more concerned with the sence of duality in their life, with the sence of living at the wrong time on this Earth.

Type of document
type::text::conference output::conference proceedings::conference paper
Language
Lietuvių / Lithuanian (lt)
Coverage Spatial
Lietuva / Lithuania (LT)
ISBN (of the container)
9955251417
Other Identifier(s)
VDU02-000010277