Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/38071
Type of publication: conference paper
Type of publication (PDB): Straipsnis nerecenzuojamoje Lietuvos konferencijos medžiagoje / Article in non-peer-reviewed Lithuanian conference proceedings (P2c)
Field of Science: Menotyra / History and theory of arts (H003)
Author(s): Pukelytė, Ina
Title: Moters įvaizdžio slinktys postmoderniame Lietuvos teatre
Other Title: Woman's image in postmodern Lithuanian theatre
Is part of: Moteris postmodernioje visuomenėje : konferencijos pranešimų medžiaga / Kauno technologijos universitetas. Kaunas : Technologija, 2006
Extent: p. 134-141
Date: 2006
Keywords: Lietuvos teatras;Postmodernizmas;Heda Gabler;Portija Koglen;Psihozė;Gintaras Varnas;Sara Kane;Moterų pjesės
ISBN: 9955251417
Abstract: The aim of this essay is to show how woman's image change in the real Lithuanian society and theatre. The subject of this research consists of the analysis of the following three performances: "Helda Gabler" by Henrik Ibsen (staged in 1998), "Portia Coughlan" by Irish dramatist Marina Carr (2002) and "4.48 Psychosis" written by British dramatist Sarah Kane (2004). The analysis consists not only of a demonstration how female characters are influenced by the context of the play and by the confrontation with the postmodern realty. It is also a demonstration of how modern actresses create these characters, how the language is influenced by actual aesthetics. "Portia Coughlan" and "4.48 Psychosis" deal not with social reality but with transcendental experiences. Women are more concerned with the sence of duality in their life, with the sence of living at the wrong time on this Earth
Internet: https://hdl.handle.net/20.500.12259/38071
Affiliation(s): Vilniaus universitetas
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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