Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/35095
Type of publication: Straipsnis / Article
Author(s): Citvarienė, Daiva
Title: Šiuolaikinis muziejus ir jo bendruomenės
Other Title: Contemporary museum and its communities
Is part of: Acta academiae artium Vilnensis, 2014, Nr. 74, p. 31-44
Date: 2014
Keywords: Naujoji muzeologija;New museology;Ištakų bendruomenės;Interpretacinės bendruomenės;Postmuziejus;Kontaktinė zona;Atviras muziejus;Source communities;Interpretive communities;Post-museum;Contact zone;Open museum
Abstract: Straipsnyje aptariami radikalūs pastarųjų dešimtmečių muziejų sektoriaus pokyčiai, nulėmę muziejaus vaidmenį ir jo santykį su visuomene. Aptariant naujosios muzeologijos judėjimo idėjas bei pastarųjų dešimtmečių Vakarų socialinės politikos gaires, analizuojamos šių transformacijų priežastys ir pristatomos naujausios šiuolaikinio muziejaus koncepcijos bei Vakarų muziejų praktikoje įsitvirtinę bendradarbiavimo modeliai. Tekste pristatoma atvejo studija – paroda Kauno miesto muziejuje Kauno žydų bendruomenė istorijos šaltiniuose, – analizuojanti Kauno apskrities archyvo, Kauno miesto muziejaus ir Kauno žydų religinės bendruomenės bendradarbiavimo pastangas.
Unlike a number of decades ago, in the contemporary world museums are assessed not on the variety of their collections or the amount of received fnancing or their upto-date equipment, but on their importance and the value provided to society. Te aim of this article is to discuss the major changes in the museum sector over the last decades, which changed the role of the museum and its relation to society, to analyse the reasons for this transformation and to present the newest concepts of contemporary museum, the established models of cooperation of the Western museums and the example of cooperation between Lithuanian museum and the community. Despite strong critical voices, doubting the capacity of the museums to adapt quickly to the changing needs of society and the scepticism about the possibilities of museum cooperation with the diferent groups of society (considering that the involvement of the society becomes crucial for the survival of the museum, the fscal health of the museum depends on it, etc.), a larger part of museum studies researchers admit the need to change the power balance between the museum and society. A nearly unanimous agreement has been reached that this institution can no longer stay an enclosed, elite and non-social structure, since the museum unavoidably participates in dynamics of (in)equality and power relations, constructing and transmitting dominant social narratives. Tus it remains to answer the question of what political role the museums could undertake to support equal possibilities and pluralistic values. [...]
Internet: https://eltalpykla.vdu.lt/1/35095
https://hdl.handle.net/20.500.12259/35095
Appears in Collections:1. Straipsniai / Articles

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