Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/32099
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dc.contributor.authorRubinovas, Justinas-
dc.contributor.authorBukantaitė, Daiva-
dc.coverage.spatialLT-
dc.date.accessioned2016-10-04T10:21:37Z-
dc.date.available2016-10-04T10:21:37Z-
dc.date.issued2016-
dc.identifier.issn18221076-
dc.identifier.otherVDU02-000019308-
dc.identifier.urihttps://eltalpykla.vdu.lt/1/32099-
dc.descriptionISSN 2424-3329 (Online)-
dc.description.abstractStraipsnyje pristatomi kiekybinio tyrimo, kuriuo siekta atskleisti šiandien vyraujantį požiūrį į gitarą ir jos kaitą, rezultatai. Dauguma tyrime dalyvavusiųjų nemano, jog gitara yra nuvertinama ir laikoma prastesne už kitus instrumentus. Klasikinė gitara, didžia dalimi atstovaujanti akademinei muzikai, yra prastai žinoma, dažniausiai siejama su dainuojamaisiais, roko ir sunkiaisiais muzikos žanrais. Gitaros įvaizdį lemia šiuolaikinė populiarioji muzika ir gitaros vaidmuo joje, lengvas instrumento prieinamumas ir mokytojų mėgėjų gausa, šiuolaikinės gitaros atstovų ir pasaulio medijų formuojama nuomonė, jog gitara gali išmokti groti beveik bet kas, taip pat nepatrauklios karjeros galimybės, klasikinės gitaros koncertų ir viešų reprezentacijų forma bei kokybėlt
dc.description.abstractThe results of qualitative research, the aim of which was to reveal the current view on the guitar and its changes, are presented in this paper. Most of the research participants do not think that the guitar is underrated or thought of as a lesser instrument than the other ones. Classical guitar, that is usually associated with academic music, is not very well known and is usually associated with vocal, rock and hard music genres. The image of the guitar is caused by contemporary popular music culture and the guitar's role in it as well as the availability of the instrument and a wide variety of amateur teachers. The other factors include the opinion of contemporary guitar representatives and the press that state that almost anyone can learn to play the guitar, also poor career options, the form and the quality of classical guitar concerts and its public representationen
dc.description.sponsorshipMuzikos akademija-
dc.description.sponsorshipMuzikos teorijos ir pedagogikos katedra-
dc.description.sponsorshipVytauto Didžiojo universitetas-
dc.format.extentp. 47-55-
dc.language.isolt-
dc.relation.ispartofKūrybos erdvės = The space of creation. Šiauliai : Šiaulių universiteto leidykla, 2015, nr. 23-
dc.relation.isreferencedbyCEEOL-
dc.relation.isreferencedbyHumanities International Complete (EBSCO)-
dc.relation.isreferencedbyCentral & Eastern European Academic Source (EBSCO)-
dc.relation.isreferencedbyIndexCopernicus-
dc.rightsSutarties data 2016-05-06, nr. B000163, laisvai prieinamas internetelt_LT
dc.subjectMuzikos instrumentailt
dc.subjectGitaralt
dc.subjectGitaros įvaizdislt
dc.subjectPožiūris į gitaros kaitąlt
dc.subjectMusical instumentsen
dc.subjectGuitaren
dc.subjectGuitar imageen
dc.subjectView on the changes of the guitaren
dc.subject.classificationStraipsnis kitose duomenų bazėse / Article in other databases (S4)-
dc.subject.otherMenotyra / History and theory of arts (H003)-
dc.titleŠiandien vyraujantis požiūris į gitarą ir jos kaitąlt
dc.title.alternativeCurrent view on the guitar and its changesen
dc.typeresearch article-
dcterms.bibliographicCitation9-
dc.date.updated2016-10-05T10:59Z-
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local.typeS-
item.grantfulltextopen-
item.fulltextWith Fulltext-
crisitem.author.deptMuzikos akademija-
crisitem.author.deptMuzikos teorijos ir pedagogikos katedra-
Appears in Collections:1. Straipsniai / Articles
Universiteto mokslo publikacijos / University Research Publications
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