Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/31441
Type of publication: Straipsnis / Article
Author(s): Arntzen, Knut Ove
Title: An investigation into the field of European independent performance
Other Title: Europinio nepriklausomo teatro lauko tyrimas
Is part of: Media transformations, 2015, vol. 11, p. 74-83
Date: 2015
Keywords: European independent performance;European theatre meeting (IETM);Trans Europe Halls (TEH);New internationalism;Networking and new art-centre;Naujasis tarptautiškumas;Tinklaveika;Naujieji meno centrai;Europinio teatro susitikimas;Europinis nepriklausomas teatras
Abstract: In performance as a medium of communication, the question of context and conditions has been heightening. This contribution will focus on conditions in the direction of networking and internationalization. It was networking of a dynamic kind that promoted non-institutional art since the 1970s. It was a process taking place in Western Europe as well as in North America, and then spreading onwards. What happened during the 1980s had some predecessors rooted in the 1968 anarchistic movement, but then turned into new organisation, which replaced old ones and created brand new ones, like the Informal European Theatre Meeting (IETM) contesting the slightly ageing International Theatre Institute (ITI). It was also the coming of cultural factories, for instance the Trans Europe Halls Network (TEH). These were organisations, which were quite new for the time. It was a development of new networks of an informal kind that replaced older more formal ones, in the sense of bringing more notice to new areas and artistic directions. This was the result of some farsighted people’s innovative way of working.
Kalbant apie spektaklį kaip komunikacijos priemonę, konteksto ir aplinkybių klausimas tampa vis reikšmingesnis. Šiame straipsnyje dėmesys sutelkiamas į tarptautiškumo sąlygas ir tinklaveiką. Dinamiška tinklaveika paskatino neinstitucinio meno raidą nuo 1970-ųjų Vakarų Europoje, JAV, vėliau paplito dar plačiau. Tai, kas atsitiko 1980-aisiais, prasidėjo 1968-aisiais per anarchistų judėjimą. Tada atsirado naujos organizacijos, pakeitusios senas ir sukūrusios naujas formas tokias, kaip Neformalaus Europos teatro susitikimas (Informal European Theatre Meeting – IETM), konkuruojančią su kiek senstelėjusiu Tarptautiniu teatro institutu (International Theatre Institute – ITI). Tai buvo laikas, kuomet atsirado nauji kūrybos centrai, pvz., „Trans Europe Halles“ tinklas („Trans Europe Halles“ – TEH). Anuomet tai buvo naujoviškos organizacijos, kurios rėmėsi neformaliais tinklais ir kurios pakeitė senąsias formalias struktūras, daugiau dėmesio skiriant temoms ir kūrybiniams sprendimams. Tai buvo toliaregių žmonių inovatyvaus darbo rezultatas.
Internet: https://eltalpykla.vdu.lt/1/31441
http://dx.doi.org/10.7220/2029-8668.11.04
https://hdl.handle.net/20.500.12259/31441
Appears in Collections:Media Transformations 2015, vol. 11

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