Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/128243
Type of publication: research article
Type of publication (PDB): Straipsnis kitose duomenų bazėse / Article in other databases (S4)
Field of Science: Menotyra / History and theory of arts (H003)
Author(s): Klivis, Edgaras
Title: National identity
Is part of: The Oxford handbook of politics and performance / edited by Shirin Rai, Milija Gluhovic, Silvija Jestrovic, and Michael Saward. Oxford: Oxford University Press, 2021
Extent: p. 1-17
Date: 2021
Keywords: National identity;Public rituals;Imagined communities;National theater;Theatrical nationhood;Postcolonialism
ISBN: 9780190863456
Abstract: This chapter aims at presenting the complex correlations between nationalism and modern theater with a special focus on performative construction of national identity. Whether seen as primordial essence or as a social construction national identity is grounded on public rituals and artistic practices (rather than rational ideological systems) which makes theatrical stage, along with print, museums, other media, central to understanding how imagined communities come into being and continue their existence into the global contemporary society. The chapter addresses the question of how the theatrical apparatus of bourgeois theater and staged representations in national theaters function in forming theatrical nationhood as well as concepts (postcolonialism), strategies (theatrical public sphere), artists (Jean Genet), and practices (interweaving performance cultures) that contest the dominant modes of performing national identity
Internet: https://hdl.handle.net/20.500.12259/128243
Affiliation(s): Teatrologijos katedra
Vytauto Didžiojo universitetas
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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