Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/36973
Type of publication: Straipsnis kitose duomenų bazėse / Article in other databases (S4)
Field of Science: Menotyra / Artwork (H003)
Author(s): Truskauskaitė, Vitalija
Title: Sakralinio teatro refleksija Česlavo Milošo kūryboje
Other Title: A reflection of sacral theatre in creative work by Czeslaw Miłosz
Is part of: Soter : religijos mokslo žurnalas. Kaunas : Vytauto Didžiojo universiteto leidykla., 25 (2008)
Extent: p. 189-202
Date: 2008
Keywords: Teatras;Sakralinis teatras;Misterijų teatras;Milošas, Česlavas;Dievo meilė;Dvasinė erozija;Ordo amoris;Theatre;Sacral theatre;Mystery theatre;Miłosz, Czeslav;God love;Spiritual erosion;Ordo amoris
Abstract: Straipsnyje nagrinėjama sakralinio teatro istorijos ir teorijos refleksija Česlavo Milošo (Czeslaw Miłosz) kūryboje. Pirmojoje dalyje pristatomas sakralinio teatro istorijos ir teorijos naratyvas lenkų literatūros kontekste. Antrojoje dalyje pristatoma futurologinė poetinės kūrybos perspektyva, ateities teatro įžvalgos. Lyginant klasikinio teatro tradicijos refleksiją su modernių laikų žmogaus dvasine situacija, pristatoma šiuolaikinio sakralinio teatro kaip ordo amoris vizija. The history of sacral theatre and the reflection of theory in the creative work by Česlavas Milošas are discussed in this article. The first part contains a presentation of the history of sacral theatre and theoretical narrative in the context of Polish literature. The second part presents a futuristic perspective on poetic creativity and insights on the theatre of the future. In the comparison of the reflections on classical theatre traditions with the spiritual situation of the human being in modernity, the contemporary sacral theatre is presented as a vision of ordo amoris
The history of sacral theatre and the reflection of theory in the creative work by Česlavas Milošas are discussed in this article. The first part contains a presentation of the history of sacral theatre and theoretical narrative in the context of Polish literature. The second part presents a futuristic perspective on poetic creativity and insights on the theatre of the future. In the comparison of the reflections on classical theatre traditions with the spiritual situation of the human being in modernity, the contemporary sacral theatre is presented as a vision of ordo amoris
Internet: http://vddb.laba.lt/obj/LT-eLABa-0001:J.04~2008~ISSN_1392-7450.N_25_53.PG_189-202
http://vddb.laba.lt/obj/LT-eLABa-0001:J.04~2008~ISSN_1392-7450.N_25_53.PG_189-202
Affiliation(s): Vytauto Didžiojo universitetas
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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