Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/31183
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dc.contributor.authorGriniuk, Marija
dc.date.accessioned2018-09-21T12:46:34Z-
dc.date.issued2015
dc.identifier.issn2335-8785
dc.identifier.urihttps://eltalpykla.vdu.lt/1/31183
dc.identifier.urihttp://dx.doi.org/10.7220/2335-8785.53(81).5
dc.identifier.urihttps://hdl.handle.net/20.500.12259/31183-
dc.description.abstract19th century folk icons of Podolia region (Ukraine) were not taken into consideration by art critics as historicallyvaluable until the late 19th century. The first articles devoted to this theme by L. Popova, V. Svencickayaand V. Otkovich appeared in the mid 80’s.Podolia region icons differ technically compared to icons of other regions of the same period, since paintersof Podolia region icons were the first to start using canvas. This may have been influenced by WesternEuropean artists or may have been a solution of the lack of wood industry in the region. Painting technique isoil painting. Besides icons on canvas there are also a few on wood. The icons make up 3 main groups by size:icons on canvas which were painted for the interiors of churches are 140–170 cm long and narrow – 50–70 cmwide; icons on canvas which were placed in the interiors of houses are 52 x 82 cm; the third group is icons onwood – 35 x 26 or 40 x 30 cm.Stylistically Podolia region icons differ from icons of other regions in realistic painting of faces and handsof figures, although the background and clothes still remain in decorative style. The colours are bright butnever dissonant. The most common colours of backgrounds are dark. The style of these icons is based on folktraditions.en_US
dc.description.abstractIstoriniame ir kultūriniame kontekste apžvelgiamos Ukrainos Podolės regiono XIX a. ikonos. Atskleidžiami stiliaus ypatumai ir įmanomos kilmės versijos. Taip pat aptariami XIX a. Podolės ikonų technologiniai skiriamieji bruožai. Kalbama apie XIX a. Ukrainos ikonų situaciją Lietuvos dailės muziejuje. Straipsnis parengtas remiantis magistro darbu „Podolės regiono ikonos“ (darbo vadovė dr. Rūta Janonienė).lt_LT
dc.language.isolten_US
dc.relation.ispartofSoter : religijos mokslo žurnalas, 2015, nr. 53(81), p. 69-80lt_LT
dc.rightsSutarties data 2006-10-02, nr. LLTI-00001, laisvai prieinamas internetelt_LT
dc.subjectBaroqueen_US
dc.subjectFeaturesen_US
dc.subjectMother of Goden_US
dc.subjectFolkloreen_EN
dc.subjectCanvasen_US
dc.subjectIconsen_US
dc.subjectSavioren_US
dc.subjectPrimeren_US
dc.subjectWood boarden_US
dc.subjectPodolia regionen_US
dc.subjectPaintingen_US
dc.subjectUkraineen_US
dc.subjectStylisticsen_US
dc.subjectSaintsen_US
dc.subjectBarokaslt_LT
dc.subjectBruožailt_LT
dc.subjectDievo Motinalt_LT
dc.subjectFolkloraslt_LT
dc.subjectDrobėlt_Lt
dc.subjectIkonoslt_LT
dc.subjectIšganytojaslt_Lt
dc.subjectGruntaslt_LT
dc.subjectMedžio lentalt_LT
dc.subjectPodolės regionaslt_LT
dc.subjectTapybalt_LT
dc.subjectUkrainalt_LT
dc.subjectStilistikalt_LT
dc.subjectŠventiejilt_LT
dc.titleUkrainos Podolės regiono XIX a. ikonų techniniai ir ikonografiniai ypatumailt_LT
dc.title.alternativeTechnical and iconographical peculiarities of 19th century icons of Podolia Region (Ukraine)en_US
dc.typeStraipsnis / Article
dc.subject.udc7 Menas / The arts
item.fulltextWith Fulltext-
item.grantfulltextopen-
Appears in Collections:SOTER: religijos mokslo žurnalas / SOTER: Journal of Religious Science 2015, nr. 53(81)
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